A guest act on Bandstand watched and asked Clark what they were doing. etc. Little Peggy March's "i will persist with Him." They were readily available to appear on the show especially when a performer was quickly needed since they lived so close by. This was the norm for school dances in many parts of the country. Eddy was still listed as a solo act but would soon be credited as being backed by “The Rebels” with their debut being on Jamie 1111 “Cannon Ball” b/w Mason Dixon Line”. For more, read our book: www.bandstanddiaries.com #americanbandstand #bandstanddiaries #nostalgia #philadelphia #elvispresley #ninobambino #book #author #selfpublished #popculture #television, On American Bandstand from 1955-1958, Frank Spagnuola won the Chalypso Contest with Dottie Horner in 1957, the first year the show went national. His exposure on American Bandstand, and his prime-time program, The Dick Clark Show, generated countless hits. Jamie’s first significant sign was a guitar player who specialized in instrumentals featuring his electric bass guitar as the lead instrument. #americanbandstand #bandstanddiaries #edkelly #dickclark #nostalgia #book, Here are Marilyn Brown and Diane Iaquinto. Bandstand Dress Codes The rules and dress code were strict on American Bandstand. Another example of reverse engineering a dance without a record was a popular step on Bandstand called the Calypso Cha-Cha. He promoted the couples on the show to mask the fact that so many guys were gay.” 5 Then in 1969 American Bandstand switched to a synthesized “Bandstand Theme” composed by Mike Curb. Authentic 70's Band T shirt, American BandStand XL Tee, Screen Star Tag Tee, Upcycled 100 Cotton White, TV Graphic shirt, Rock n Roll Tee WaitingForHarry 5 out of 5 stars (115) And today many would be into their early 80’s! Jo Ann Orgel, who was once dancer on ABC TV program American Bandstand wearing t-shirt w. show's name & logo in front of gold backdrop. [xix] Between 1958 and 1963, the Philadelphia Tribune also published seven editorials or letters to the editor regarding American Bandstand’s exclusion of … A good example was a dance the Philadelphia kids were doing which would become known as the “the stroll”. The show would start at 2:30 PM each afternoon Philadelphia time and so the students from nearby West Catholic High School would be the first to arrive since school let out at 2:30. In the beginning the West Catholic girls wore their school uniforms into Bandstand. Throughout the rest of the 1950s, "American Bandstand" featured a number of famous acts including the debut of Paul Simon and Art Garfunkel (November 22, 1957), Jerry Lee Lewis (March 18, 1958), and Dion and the Belmonts (August 7, 1958). Dick Clark imposed a dress code on ‘American Bandstand’ to mollify adults: ‘Nobody dressed that way in real life.’ David Kirby reviews “Music in the Age of Anxiety: American … For more about your favorite dancers, and life after Bandstand read Bandstand Diaries. Selection of Committee members was determined by fan mail which would run heavy for certain couples on the show. The popular, multi-decade American Bandstand showed white and black teens listening and enjoying music together during a time when it was socially frowned upon. Johnny Preston's, "working bear" and "That'll be the Day" by employing chum Holly's Crickets. American Bandstand began in 1957 and continued until ... Clark required a formal dress code of dresses or skirts for girls and coats and ties for boys that helped establish the … Bandstand Dress Codes The rules and dress code were strict on American Bandstand. The “American Bandstand” dancers ended up living all across the United States and followed a variety of careers. I will take this presentation as far as I am able – toward and up-to-the-date when “American Bandstand” migrated to Los Angeles, California. Bob and Justine soon thereafter broke up making room for the next Bandstand couple of choice. For more about your favorite dancers, read Bandstand Diaries: www.bandstanddiaries.com #americanbandstand #bandstanddiaries #dickclark #book #philadelphia #nostalgia #telephone, Having started dancing on Bandstand during the Bob Horn days, did you know Rosemary "Little Ro" Fergione Siermine was 11 years old at the time? Clark’s two closest musician friends were Bobby Darin (Walden Robert Cassotto) and Connie Francis (Concetta Rosa Maria Franconero). Eddy was featured as “Duane Eddy and His Twangy Guitar”. “American Bandstand” departed from Philadelphia on February 8th, 1974 moving into the ABC Television Center in Los Angeles. Authentic 70's Band T shirt, American BandStand XL Tee, Screen Star Tag Tee, Upcycled 100 Cotton White, TV Graphic shirt, Rock n Roll Tee WaitingForHarry 5 out of 5 stars (115) ... "The Live Entertainment Capitol of the World," boasts over 100 shows in fifty-two theaters including Dick Clark’s American Bandstand Theater. What is the dress code? Next up from 1974 until 1977 was Joe Porter’s “Bandstand Boogie” arrangement. He returned inside and awaited the opening of the initial show. The couple took a stab a stardom recording a single titled “Drive-In Movie” which quickly flopped. These interests would still be in question when Clark was summoned to appear before the payola congressional hearings – More on those hearings later which were a thinly veiled assault on rock and roll and black music in general. ... could be eliminated for “dress code” reasons. A strict dress code dictated that the boys wore jackets and ties, and the girls wore skirts and blouses, or dresses. At any given time there were about 30 Committee members who all held special membership cards guaranteeing them entry into the daily program and this would also ensure that viewers would see familiar faces. Clark was the host of American Bandstand in the late ‘50s through the mid-‘60s. and "occasion Doll". Featuring guest artists who lip-synced to their latest tunes, and a teenage audience whose members danced for the cameras, the show launched a conga line of dance crazes, fashion … ( Log Out /  For more read Bandstand Diaries. Clark asked the couple what in the world they were doing to which they responded “The Twist!” as though he should have known. Clark and his associates thought the backing group should have a name but no one could decide until Swan partner Tony Mammarella shouted “For Christ sakes! Dick Clark recounts that in spite of the tremendous popularity of many of the programs “Regulars” – none would go on to become stars. Colorado Music Venues: A thru Mammoth Gardens, Wayne Fontana & Mindbenders UK Discography, Beat-Era Rosters/Discography: E-Foundations, Jimi Hendrix Experience: U.S. Discography, Top 40 Stations – New Hampshire – North Dakota, Pop Bop Rock Honoree: Vicky Morosan/Band Box, Pop Bop Rock Honoree: Wax Trax/Stidman & Davis. Then in the summer of 1956 Bob Horn fell from grace – hit with a drunk driven charge and was promptly dispatched. After, he dated Big Ro for two years. #americanbandstand #bandstanddiaries #philadelphia #television #nostalgia #book #author #coffeetablebook #lennynatale #kennyrossi, Here is Janet Hamill who danced on American Bandstand from 1957-1960. Clark also established a formal dress code, mandating dresses and skirts for the women and a coat and tie for the men. This was followed by a further reduction in air-time to one-half hour starting in September of 1962. Her cousin Tilda was head of the Committee and so she was able to get in regularly. His 90-minute daily “American Bandstand” featured clean-cut teenagers dancing to records and Clark schmoozing with the audience. One member of “The Don’ts” was former Rhythm Orchid Dave Alldred from that band which featured also Jimmy Bowen and Buddy Knox. The biggest hit Broadway musical of 2002 is Hairspray, a fictional story about the racial integration of a teen dance program in television's early days. Here is a chronological presentation – day-by-day with the performing artists on each program along with a scan of the recording performed and a artist photo – as well as a few time line presentations. He told them and so they returned home to soon cut a new record. Later that year they came in 2nd place for the Jitterbug Contest. Did you know that when Dick Clark announced her Sweet 16 birthday party on air, it turned into mayhem when kids from all over Philadelphia showed up? They both danced on American Bandstand from 1960-1963. The entire label stable had easy access to appearing on American Bandstand and were often summoned with little notice when an act failed to show. He had been very popular with the kids on Bandstand and they initially were reluctant to accept his young successor – Dick Clark. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Fan mail ran heavy for the regulars with thousands of pieces of mail arriving at the studio weekly. This is the link to the first part. This site is maintained by American Bandstand Dancers Hal … Dick Clark tells of taking the idea for Swan Records label design directly from Specialty Records. For more read Bandstand Diaries. Change ), You are commenting using your Google account. For the boys coats and or sweaters and ties were required. Further, after performing they would usually exchange a few comments with Clark and then proceed directly to the autograph table and that was that. This was from 1969 until 1974. Later, Ro bought Justine and Arlene onto the show as they lived in the same area. But in the fall of that year, it became a once-a-week show run on Saturday afternoons. This was Duane Eddy who was brought to the attention of Jamie Records by his producer – Lee Hazelwood. American Bandstand debuted nationally on August 5, 1957, from 3 to 4:30 p.m. across forty-eight of ABC’s affiliate stations (viewers in Philadelphia received an extra sixty minutes of Bandstand, as the program continued to broadcast locally from 2:30 to 3 and from 4:30 to 5:00 p.m.). Clark quickly remedied that by personally speaking with the kids outside the studio as they were picketing the opening of his first program. Get premium, high resolution news photos at … ( Log Out /  Here he is pictured with Kenny Rossi. etc. The show lived on – barely – on a new network “USA Network” hosted by David HIrsch but produced by Dick Clark. For the boys coats and or sweaters and ties were required. ( Log Out /  American Bandstand originated in Philadelphia in the early 1950’s as a local dance program, then catapulted to national prominence in August, 1957. The rebel-like shouts and yells – and hand claps on the recording were performed by The Rivington’s of “Papa-Oom-Mow-Mow” and “The Bird’s The Word” fame. They had a black and yellow label with special signature logo; we copied the label in maroon on white because we couldn’t afford more than one color.”. American Bandstand is an American music-performance and dance television program that aired in various versions from 1952 to 1989, and was hosted from 1956 until its final season by Dick Clark, who also served as the program's producer.It featured teenagers dancing to Top 40 music introduced by Clark; at least one popular musical act—over the decades, running the gamut … Girls had to wear skirts. The show epitomized many important aspects of ever-evolving American popular culture: mass communication, popular music, youth culture, dance … For more about your favorite dancers read Bandstand Diaries #americanbandstand #bandstanddiaries #dickclark #philadelphia, Painfully shy, Lenny Natale who danced on American Bandstand from 1955-1958 was introduced to the Regulars by Joe Fusco-his lifelong friend. He kindly wrote a piece about his American Bandstand experience: being on the show, the Regulars and Dick Clark. As we remember Dick Clark, we’re highlighting a few Bandstand … #vintage #rocknroll #bandstanddiaries, Bobbi Young appeared on Bandstand and American Bandstand from 1953-1958. www.bandstanddiaries.com #americanbandstand #bandstanddiaries #bobbiyoung #dickclark #elvispresley #television #nostalgia #book #author #coffeetablebook #philadelphia, Nino Bambino was invited to American Bandstand where he danced from 1956-1958 by Little Ro who became his girlfriend for three months. He has remained friends with many Regulars. The biggest hit Broadway musical of 2002 is Hairspray, a fictional story about the racial integration of a teen dance program in television's early days. A monster dance step was introduced primarily on Bandstand when a young black couple were doing it. See more ideas about american bandstand, american, rock and roll. Two couples who stood out from the “Regulars” were Bob Clayton with Justine Carrelli who became a “couple” on the show in the late 1950’s at the age of 14. The Swing Dance Contest has been going on for about 4 weeks now and today we get to see the finalists all together for the first time. Did you know she became a Regular the same day as Carole Scalderferri? She took a variety of dance lessons when she was young, including tap, modern and ballet. chum Holly. In 1957 Dick Clark became one-fourth owner of Jamie Records. Did you know that when he first started he only knew how to slow dance? Sorry, your blog cannot share posts by email. Airdate: May 23, 1970Chicago’s very first top 40 hit, “Make Me Smile”, is at #17 today and will peak at #9 in 2 weeks. Dancing on American Bandstand How long does the show last? Almost all would assume a place in life typical of most of us and they spread throughout the country far and wide. The "nostalgia" was okay; not many items displayed that would make a boomer go "Wow!". Girls had to wear skirts. That TV show was based on "American Bandstand," the ABC network program which originated in Philadelphia as "Bandstand." The programming for American Bandstand can get a little cloudy at times – Sources conflict at times – but here is a shot at the classic American teenager program. The first instrumental theme song for the local version of “Bandstand” was “High Society” by Artie Shaw. They were a contrast in styles – with Bob and Justine reflecting the a raunchier edge associated with the early rock and roll days, and with Ken and Arlene displaying a softer look as rock and roll began to smooth out somewhat. Then, in September of 1963 the show went to a Saturday only format – broadcasting again for a full hour. Today in our new blog post we hear from from Mickey (Bandstand) Cullen, a Regular from the #BobHorn days. For more, read Bandstand Diaries. During this same time period a very young Dick Clark was hosting the radio version of “Bandstand” also at the WFIL studios. His first release was “Moovin’ n’ Groovin'” b/w “Up and Down”. etc. But perhaps the most impactful change that Clark made to the show was ending "American Bandstand's" all-white policy, allowing African American artists to … He was disappointed with the records he had to play and yearned to cross over more towards Horn’s format. They were followed by early 1960’s couple Ken Rossi and Arlene Sullivan. When the doors opened – Clark was greatly relieved to see the would-be protestors enter into the studio – and “American Bandstand” was born. Knee length dresses were the norm for women and button down plaid shirts for men’s casual wear. American Bandstand. Did you know they were best friends since the 1st grade? An Elvis Presley fan, did you know she was the only Regular Dick Clark invited to go see Elvis at the Arena in 1956? #americanbandstand #bandstanddiaries #nostalgia #television #philadelphia #carolescaldeferri #fashion #vintage. For more on friendship read Bandstand Diaries: www.bandstanddiaries.com #americanbandstand #bandstanddiaries #bestfriends #nostalgia #fashion #book #vintage, Here is Anna Russo Bonanni who was one of the last Regulars who danced on Philadelphia's American Bandstand in 1963. When Bandstand MC Bob Horn was released and replaced by a young Dick Clark, several of the Bandstand teens protested carrying signs outside the studio on the streets. For more on your favorite dancers, read Bandstand Diaries. I understand having decor of the American Bandstand time period, but the overall facility itself seems worn out. After Bandstand, Charlette became an accountant and was a business manager. After Bandstand she enrolled in acting school and modeled.For more dancers read Bandstand Diaries: www.bandstanddiaries.com #americanbandstand #bandstanddiaries #nostalgia #janethamill #book #philadelphia, Here is Ed Kelly who was a dancer on American Bandstand from 1959-1961. Featuring guest artists who lip-synced to their latest tunes, and a teenage audience whose members danced for the cameras, the show launched a conga line of dance crazes, fashion … That becomes understandable when you learn that its original host led a sordid life that included a sexual affair with a teenage girl. By this time – the very first Philadelphia teenagers to appear on the local version of the show (1952)  had entered into their mid 50’s. Enter your email address to follow this blog and receive notifications of new posts by email. By 1965, Dick Clark, then 35 years old, was making about $1 million a year. The Diamonds would realize a smash success with “The Stroll” a dance which will be performed as long at the last baby boomer can hit the dance floor. Some were told that they lacked a membership card, others that they did not meet the dress code, and others that the studio was full. Leather sneakers or athletic shoes weren’t around yet. ( Log Out /  The Rock era began with conservative 50s and 60s dress. Note that the guys were all wearing sports coats and dress shoes. Swan’s first signing was an artist calling himself “Dicky Doo” who was Gerry Granahan. Fan mail was screened by the WFIL staff by agreement with the kids due to pornographic material sometimes being enclosed or overly suggestive content and invitations – but most mail ran clean and innocent from every part of the world. They were not locals – Darin from New York and Francis from New Jersey. The “American Bandstand” dancers ended up living all across the United States and followed a variety of careers. The break-through recording for Jamie Records was “Rebel-‘Rouser” released in 1958 and charting at #6 in June of 1958. Dick Clark’s version of the naming of Ernest Evans was that Clark and his wife Barbara watched Evans perform which afterwards Barbara observed something along the lines of ‘He’s adorable – Just like a little Fats Domino – a Chubby Checker”. And his nationally televised American Bandstand influenced music, dance and fashion, establishing Clark as one of the savviest businessmen of the 20th century. Clark required a formal dress code … Post was not sent - check your email addresses! On these he was thrown in with the performers for night after night – sharing a bus, motels and at first the indignities of performing in the South with mixed race musicians. #americanbandstand #bandstanddiaries #nostalgia #bobhorn #littlero #philadelphia #book #author, Known for her style and signature headbands, Carole Scaldeferri was a fashionista and beloved Regular on American Bandstand from 1957-1961. Casual, you are on vacation! As for the origins of the dances that American Bandstand’swhite dancers introduced to the nation’s teens, the … When cute young teenagers Arlene Sullivan and Kenny Rossi slow danced together on “American Bandstand” back in the late ’50s and … As we remember Dick Clark, we’re highlighting a few Bandstand … Many of the early 50’s pop singers appeared on the show but Horn injected a new brand of music – r&b and rock and roll. Clark in his autobiography gives himself credit for suggesting the loud foot stomping beat in “Tallahassee Lassie” which put the record over the top and put Cannon on the road to fame. Just check out some early pictures from Dick Clark’s American Bandstand, and you’ll see crew cuts on the boys and pony-tails or bouffant hairstyles on the girls. In 1961 the show went from 90 minutes each week day to a one hour format. “Bandstand” – as it was originally titled,  had it’s beginnings back in the fall of 1952 when it was created by Philadelphia station WFIL and was first hosted by a duo of Bob Horn and Lee Stewart. "Little Ro" danced from 1953-1958. She won 2 dance contests with Tex Connor jitterbugging and slow dancing. American Bandstand (1952-89) was a massively popular music television program with strong Philadelphia roots, storied national success, and the power to shape the music industry and society. Clark’s dealings outside of American Bandstand would come into question when the ‘payola hearings’ descended on the music industry and he would be forced at the suggestion of ABC to divest himself of his publishing and record label interests. This was played until the very end of the Dick Clark era – 1987. “So fearful of the kids’ real behavior, [Clark] imposed a strict dress code: jackets and ties for boys, and nothing tight for girls. Soon Clark witnessed many of the Bandstand kids doing the step as well. He relates “We ripped off their label, after a fashion. Dick Clark feels that perhaps the most popular of all the boys to appear on the show was Tommy DeNoble. “Did You Cry” stumbled but “Click Clack” managed to become the charting side. American Bandstand is an American music-performance and dance television program that aired in various versions from 1952 to 1989, and was hosted from 1956 until its final season by Dick Clark, who also served as the program's producer.It featured teenagers dancing to Top 40 music introduced by Clark; at least one popular musical act—over the decades, running the gamut … For more about your favorite dancers, read Bandstand Diaries. American Bandstand was all about the kids and the dancing. It was written by Charles Albertine. Dick Clark counted few performers on American Bandstand as “friends”. The fiftieth Anniversary of **** Clark's American Bandstand Theater, in Branson Missouri improve into held final March 2007 Dancing on American Bandstand American Bandstand. “Some were told that they lacked a membership card, others that they did not meet the dress code, and others that the studio was full.” 7. Bob and Justine won Bandstand’s first “jitterbug” contest, receiving over a million votes via the U.S. Mail. Change ), You are commenting using your Facebook account. Starting up Swan Records in late 1957 was Clark’s second label partnership and would feature Freddy Cannon – a singer with limited range but who provided a whole lot of excitement. Francis Thomas Avallone and Fabiano Anthony Forte attended the same Philadelphia high school along with Ernest Evans (Chubby Checker). When they started dancing on American Bandstand it would take them an hour to get to the studio by bus and train. Dec 7, 2018 - Here are some of the most popular Regulars who danced on Dick Clark's American Bandstand beginning in 1957. Once in a while a new couple would attract attention of the viewers and they would be added to the ranks of the chosen. Cameo Records was the beneficiary of many dance steps introduced on Bandstand – filling the need for a corresponding recording with releases from The Orlons (“The Wha Watusi” and “Crossfire”), Dee Dee Sharp (“Mashed Potatoes”), Bobby Rydell (“The Cha Cha Cha”), Chubby with (“Dance the Mess Around”, “The Fly”, “Limbo Rock”), Dee Dee Sharp (“Mashed Potato Time, “Ride”, and “Gravy”), and The Dovells (“The Bristol Stomp”, “Do the New Continental”, “Bristol Twistin’ Annie”, and “Hully Gully Baby”). That TV show was based on "American Bandstand," the ABC network program which originated in Philadelphia as "Bandstand." www.bandstanddiaries.com #americanbandstand #bandstanddiaries #nostalgia #philadelphia #book #author #coffeetablebook #popculture, From 1953 to 1959 Terry Schreffler danced on American Bandstand with Bob Horn and Dick Clark. The first three acts to appear on the label were The Tritones, The Sharps and Robert Byrd and his Orchestra. “It’s got a good beat and you can dance to it”. Dick Clark recalls how many time new dances would spring up on Bandstand that didn’t have an actual recording to go with it. This wasn’t due to aloofness or by design but as he describes in his memoir “Rock, Roll and Remember” just how it was since most performers would arrive at the studio usually just moments before their performance and were staged in a holding room away from the kids. A daily dance show, Bandstand was the first national TV program directed at … Same held true for Chubby Checker and Bobby Rydell. When the doors opened he carefully watched those entering into the studio and there they were – the Regulars were going to give Dick Clark a try. And his nationally televised American Bandstand influenced music, dance and fashion, establishing Clark as one of the savviest businessmen of the 20th century. Did you know after Bandstand he enlisted in the army and served with Elvis Presley in Texas? Dick Clark approached the group with a heartfelt explanation for the change and asked them just to give him a chance. Cameo-Parkway was Philadelphia based and the label owners had close ties to Dick Clark. At first, not knowing how to enter the show, she walked to the door the actors and singers used and announced to Bob the Cop, "I came here to dance." Sadly she passed away in 2013, but fans, fellow dancers, and family hold on to those fond memories. The food was average, the usual burgers and shakes reminiscent of the day. See more ideas about american bandstand, american, dance. Horn would open and close Clark’s radio show and then in-between host the televised version. American Bandstand became a powerful symbol of American teenage culture with its nearly four-decade look at the ever-changing tastes of the country's youth. While on the show he often danced with Susan Beltrante and Ivette Jimenez. Call them the ‘Don’ts!” Their first effort was Swan catalog number 4001 “Did You Cry” backed with “Click Clack” the “B” side. Change ). Did you know he helped launch The Oprah Winfrey Show? He once was asked to appear at a Catholic school dance in Mahonoy City, PA by a priest to help boost the usual attendance which would be around 100 to 150 kids. Here are some of the most popular Regulars who danced on Dick Clark's American Bandstand beginning in 1957. Famously, Buddy Holly made his last television appearance on the program, miming "It's So Easy" and "Heartbeat" on … The “Rebels” were in fact a group of session musicians that included sax players Steve Douglas and Jim Horn as well as keyboardist Larry Knechtel – who would all become regulars for Phil Spector’s studio dramatics. Clark’s own Swan Records would respond to this need with the release of Billy and Lillie’s “Luck Lady Bug”. Ernest Evans recorded a near identical version of the song as Hank Ballard’s earlier effort and hit the big time – twice in fact – with “The Twist” going to number one in successive years, making it the only record ever during the rock and roll era to re-enter the charts and return to the number 1 position. The show would start at 2:30 PM each afternoon Philadelphia time and so the students from nearby West Catholic High School would be the first to arrive since school let out at 2:30. 1 9 5 2 – 1 9 8 9 (USA) American Bandstand became a powerful symbol of American teenage culture with its nearly four-decade look at the ever-changing tastes of the country’s youth.. Reader-Nominated Topic. By 1959 American Bandstand was being watched by 20 million fans nationally and millions more around the world. 136 talking about this. Rider”. The kids lined up for this dance to one of Chuck Willis’ recordings “C.C. From the start the national viewing audience wanted to see the latest dance steps and the Bandstand camera crew accommodated them with close-ups of the dancer’s feet. Appearing in the very FIRST episode of the show in 1952, read all about his experience. Girls had to wear skirts. Jun 15, 2013 - Explore Nancy Wagner's board "American Bandstand" on Pinterest. For more about your favorite dancers, read Bandstand Diaries. The Bandstand regulars gathered around to watch. For the boys coats and or sweaters and ties were required. Throughout the rest of the 1950s, "American Bandstand" featured a number of famous acts including the debut of Paul Simon and Art Garfunkel (November 22, 1957), Jerry Lee Lewis (March 18, 1958), and Dion and the Belmonts (August 7, 1958). Clark tells of getting to know other performers later on when he began his “Caravan of Stars” tours.
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